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KN64010 KEY NOTE COMMERCIAL RADIO SEPTEMBER 2000

ISBN 1-84168-114-8

This report covers:

Companies covered include:

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TABLE OF CONTENTS

Executive Summary


1. Market Definition


INTRODUCTION
MARKET SECTORS
The FM Band
of Radio Service, 2000
The MW Band
MARKET POSITION
Rates by Medium (£), 2000
MARKET TRENDS
of All Advertising
Annual Total ( percent), December 1992 to March 2000
Digital Audio Broadcasting


2. Market Size


THE TOTAL MARKET
Table 4: UK Advertising and Sponsorship Revenues to Commercial Radio Broadcasters (£m), December 1995-1999
LISTENING HOURS
Listening, 27th March to 25th June 2000


3. Industry Background


RECENT HISTORY
REGULATORY FRAMEWORK
Radio Authority
National Licences
Local Licences
Short-Term Restricted Service Licences
Long-term Restricted Service Licences
Cable and Satellite Licences
Digital Radio Licences
Additional Service Licence
INDUSTRY CONCENTRATION
EMPLOYMENT
TRADE ASSOCIATIONS
Advertising Association
Advertising Standards Authority
Broadcasting Standards Commission
Commercial Radio Companies Association
Radio Advertising Bureau
Radio Advertising Clearance Centre
Radio Authority
The Radio Communications Agency
Radio Joint Audience Research Ltd


4. Competitor Analysis


MARKET LEADERS
Capital Radio PLC
Financial Results
Chrysalis Group PLC
Financial Results
The Daily Mail and General Trust PLC
Financial Results
Digital One Ltd
Emap PLC
Financial Results
Guardian Media Group PLC
Financial Results
GWR Group PLC
Financial Results
Scottish Radio Holdings PLC
Financial Results
UKRD Group Ltd
Financial Results
The Wireless Group Holdings Ltd
Financial Results
Other Companies
MXR
RTL
ADVERTISING AND PROMOTION
(£000), Year Ending March 2000
(£000), Year Ending March 2000


5. Strengths, Weaknesses, Opportunities and Threats


STRENGTHS
WEAKNESSES
OPPORTUNITIES
THREATS


6. Buying Behaviour


LISTENING TRENDS


7. Outside Suppliers to the Industry


INDEPENDENT RADIO PRODUCTION COMPANIES
THE ADVERTISING INDUSTRY


8. Current Issues


RADIO AND THE INTERNET
October 1999
INDUSTRY REGULATION
DIGITAL AUDIO BROADCASTING
DAB — What it Offers
DAB — The Licensing Regime
DAB — Technical Background
DAB — The Commercial Sector
DAB — Why the Sudden Rush?
DAB — BBC and Digital Radio


9. Forecasts


DIGITAL AUDIO BROADCASTING
AUDIENCE GROWTH
FORECASTS 2000 TO 2004
Broadcasters (£m), 2000-2004


10. Company Profiles


Capital Radio PLC
Chrysalis Group PLC
CLT-UFA UK Radio Ltd
Emap PLC
GWR Group PLC


11. Further Sources


Associations
Periodicals
Directories
General Sources
Bonnier Information Sources
Government Publications
Other Sources

Key Note Research

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EXECUTIVE SUMMARY

The success of national commercial radio stations has combined to produce a sustained long-term growth in advertising revenues to the commercial radio sector as a whole. Today, commercial radio in the UK consists of 245 International Local Radio (ILR) services, three International National Radio (INR) services and Atlantic 252, which — although broadcasting from the Republic of Ireland — is directed at the UK market. The commercial services have over 31 million adult listeners every week.

In 1999, commercial radio advertising revenue reached £464.4m. Commercial radio’s audience has not grown as fast as the number of stations, but its revenue from advertising and other sources has risen significantly. In part, this is because many of the new stations cater for specialist interests. This has drawn in new advertisers keen to reach small, but dedicated, audiences. In spite of the segmentation of the audience, most of the new advertising revenue has come from mass-market brands such as Coca-Cola and McDonald’s. However, this is a trend from which other advertising media, such as outdoor advertising, are also benefiting.

The appeal of alternative advertising media has grown as television (TV) and print have lost their dominance. Audience fragmentation and the soaring costs of TV advertising have prompted clients to consider alternatives. The UK has led the world in the introduction of digital radio, and the first UK commercial stations went on air in digital format in November 1999. The next decade will be an exciting one for radio, as digital becomes established. Currently, most radio programmes are broadcast in analogue, where the radio waves are a direct representation of the original sound. Atmospheric conditions and some electrical equipment can produce electromagnetic waves that cause sound interference. Tall buildings and hills can also distort the signals. There has been much speculation over the data capabilities of digital radio, but as yet the consumer demand and commercial benefits of data services are unproven.

Capital Radio and Emap are currently testing a wide variety of data applications in a real situation in Birmingham, working with cable television provider NTL, receiver manufacturers, advertisers and potential data suppliers. Although take-up of digital radios will be slow, there is no doubt that in a digital world, the future of radio is also digital. During the start-up phase, it is unlikely that broadcasting additionally on Digital Audio Broadcasting (DAB) will produce any extra revenue. In fact, for the simultaneous broadcast (simulcast) period, DAB will add substantially to a station’s costs because two sets of transmission equipment will be in use.

By the end of 2000, commercial radio advertising revenue should reach £507m, and Key Note forecasts that this will rise to £676m in 2004.

Text © 2000 Key Note

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